Financials and Impact
In order to practice transparency in all of our areas of work and in accordance with IRS regulations, our IRS 990 forms, financial statements and annual reports are provided below.
Incorporation
Kyoung’s Pacific Beat™ was founded as Pacific Beat Collective on Jan. 1, 2011 and was a fiscally sponsored project of Fractured Atlas from June 14, 2012 through June 2, 2021. The company was renamed Kyoung’s Pacific Beat™ on August 26, 2014 as an unincorporated DBA.
Kyoung’s Pacific Beat™, Inc. incorporated as a non-profit on Mar. 26, 2021 and its Board of Directors unanimously voted to dissolve its 501c3 status on Mar. 8, 2024. The organization filed for dissolution with the New York State Attorney General on May 6th, 2025. Our Founder’s dissolution statement was quoted on Jun. 21, 2024 in the New York Times.
In order to protect the intellectual property of Kyoung H. Park, Kyoung’s Pacific Beat™ was split into two public benefit corporations, K-Space International, Inc. and KPB New York, Inc. Both public benefit corporations were incorporated on March 27, 2026 in the state of New York.
Impact Metrics
Kyoung’s Pacific Beat™ has served 412 artists and 11,243 audience members.
Our cumulative, average income and expenses (2011-2025) are detailed below.
Income Sources
Expense Averages
Artists Served Per Year (412 Total)
Audiences Served (11,243 Total)
Artist Pay from Total Annual Budget
Audience Demographics
Kyoung’s Pacific Beat™’s audience demographics are based on data gathering through a voluntary, online audience survey conducted during the World Premiere of Kyoung’s Pacific Beat™’s NERO on June 2024.
Annual Reports and 990
FY25
Kyoung’s Pacific Beat™, Inc’s Form 990-N.
FY24
Kyoung’s Pacific Beat™, Inc’s Form 990EZ.
FY23
Kyoung’s Pacific Beat™, Inc’s Form 990 and Financial Statements.
FY22
Kyoung’s Pacific Beat™, Inc’s Annual Report, Form 990 and Financial Statements.
FY21
Kyoung’s Pacific Beat™, Inc’s Annual Report, Form 990 and Financial Statements.
2011-2020
The following Annual Reports were retrieved from Kyoung’s Pacific Beat™’s former fiscal sponsor, Fractured Atlas.
Annual Report (Calendar Year 2020)
Annual Report (Calendar Year 2019)
Annual Report (Calendar Year 2018)
Annual Report (Calendar Year 2017)
Annual Report (Calendar Year 2016)
Annual Report (Calendar Year 2015)
Annual Report (Calendar Year 2014)
Annual Report (Calendar Year 2012)
Our Numbers
Awards & Funders
Phase 1 Partners (2020-2025)
Institutional Partners: The Brick, Downtown Brooklyn Partnership, Flatbush Junction, PeoplesHub, Pregones/Puerto Rican Traveling Theater; Community Partners: Asians4Abolition, Asians Fighting Injustice, Caribbean Equality Project, GAPIMNY, The Blasian March, The Exponential Festival.
Phase 1 Donors (2020-2025)
Benefactors: Ariel Estrada, Sooyoung Hwang, PennyMaria Jackson, Ann Marie Lonsdale, Laurence Pagnoni and Wei Ng; Champions: John Chin, Daniel Lim, Fred Lonsdale, Arnaldo López, Pamela Roach, Ryan Shen, Jason Tseng, Clara Yoon; Wavemakers: Arts FMS, Randi Berry, Christopher Bogart, Jason Chan, Snehal Desai, Scout James, Tiffany Vega-Gibson, Gary Yu; Troublemakers: Nic Adams, Jess Applebaum, Nic Benacerraf, David Blasher, Max Dana, Maria De Leon, Michael Klein, Courtney DeStefano, Brandi Glover, Lisa Gold, Richard In, Wanda Lopez, Shira Milikowsky, Jean Ng, Jacob Padrón, Jun-Hwan Park, Marlene Ramirez-Cancio, David Skeist, Joe Tolbert, Donna Truong, Salem Tsegaye, Moe Yousuf; Advocates: Yazmany Arboleda, John Backe, Gennaro Bruno, Sang Yi Choung, Amanda Crater, Courtney DeStefano, Daniel Georges, Jon Froehlich, Benjamin Goldman, Kemi Ilesanmi, Koy Logistics, Woody Loverude, Atsushi Matsuda, Rowland Mendoza, Jorge Merced, Jim Nicola, Regine Reyes, Rosalba Rolon, John Rooney, Adriana Rossetto, Megan Runyan, Wynn Salisch, Fernando Saucedo, Martha Sickles, L Tantay, Jolanda Walter; Agents: Raquel Almazan, AJ Muhammad, Cara Page, Nandita Shenoy, Ching Valdes-Aran, Women of Color in the Arts (WOCA), Weiben Wang, Jackie Wu, Carol Zou; Movers: Claudia Alick, Hector Pascual Alvarez, Robert Bangiola, Suzanna Cameron, Mashuq Deen, Ianthe Demos, Ingrid Lee, Michael Liu, Sydnie Mosley, Benjamin Yuen; Foundations: ART/NY Small Theaters Fund, ART/NY Edith Lutyens & Norman Bel Geddes Design Enhancement Fund, ART/NY Microgrants, Brooklyn Arts Council – Brooklyn Arts Fund, Brooklyn Arts Leadership Collaborative, Doris Duke Charitable Foundation, Emma A. Sheafer Charitable Trust, Fidelity Charitable, Fiordellisi Williams Family Foundation, Ford Foundation, Howard Gilman Foundation, IndieSpace, JKW Foundation, John Golden Fund, Mosaic Fund and Network at the New York Community Trust, New York Community Trust, Non-Profit Finance Fund; NYSCA/TDF Tap Plus, Wallace Foundation; Public Funders: District Council Member Farah Louis, National Endowment for the Arts, NYC Office for Prevention of Hate Crimes, New York State Council on the Arts; NYC Department of Youth and Community Development; NYC Department of Cultural Affairs; Fellowships: 2023 Rockwood Leadership Institute, 2021 New York Foundation for the Arts Incubator for Executive Leaders of Color Fellow, 2021 Jerome Hill Artist Fellowship, Recommended Alternate, 2019-2020 Dramatist Guild Fellowship, 2019-2020 Target Margin Theater Arts Management Fellowship, 2018-2020 Association of Performing Arts Professionals Leadership Fellows Program, 2018-2019 Intercultural Leadership Institute Fellowship; Awards: 2024 Leadership in Community-Based Theatre and Civic Engagement Award for Transformational Practice, 2022 NYC Office for the Prevention of Hate-Crimes Innovation Award, 2021 APAP/American Express Innovation Award; In-Kind: APICHA, Sanae Ohno; Matching Gifts: JP Morgan Chase’s Good Works Program
Founding Partners (2011-2020)
Institutional Partners: Arts Council Korea (Seoul), Baryshnikov Arts Center, BRIC Arts Media Center, The Bushwick Starr, Centro Cultural Gabriela Mistral (Santiago, Chile), Centro of Theater of the Oppressed (Rio de Janeiro), Columbia University, Consortium of Asian-American Theaters and Artists, DUOC (Santiago, Chile), Ensemble Studio Theater’s Youngblood, Ewha Womens’ University (Seoul), Global Arts Village (New Delhi), HERE Arts Center, Kyung Hee University (Suwon, South Korea), LaGuardia Performing Arts College, Lark Play Development Center, Mabou Mines, Ma-Yi Theater Writer’s Lab, National Association of Latino Arts and Culture, New Ohio Theater, Performance Project @ University Settlement, Royal Court Theater (London), Sanskriti Pratisthan (New Delhi), Second Generation Productions, Soho Theatre’s Writer’s Hub (London), The Sol Project, The Tank, Theater C, University of Washington, Vermont Studio Center, Community Partners: ALTA-The Alliance of Latinx Theater Artists of Chicago, API Ranbow Parents of PFLAG NYC, Asian-American Arts Alliance, Asian/Pacific/American Institute at NYU, BAAD! (Bronx Academy of Arts and Dance), The Brooklyn Commune, Culturebot, CUNY’s Center for Lesbian and Gay Studies, GAPIMNY, Hollaback!, Invisible 2 Invincible: Asian Pacific Islander Pride of Chicago, Korean Cultural Center New York, Nothing Without a Company, Pop Magic Productions, The Sip, SALGA, Urban Theater Company at Batey Urbano, Q-Wave.
Founding Donors (2011-2020)
Angels: Keryn Redstone, Anonymous (1), Boss: Anonymous (1), Benefactors: Sooyoung Hwang, Daniel Lim, Anonymous (1), Champions: Robert S. Foust and John Lee, Stephanie Hsu, PennyMaria Jackson, Mia Jeong, Jesse Longman, Joe Henriquez McNearney, Jason Tseng, Laurence Pagnoni, Anonymous (2), Wavemakers: Randi Berry, Max Dana, David Lee, David Skeist, Jacob & Marcia Toledano, Timothy Tompkins, Anonymous (1), Troublemakers: Clover Chambers, Jacob Chen and Michael Rebolos, Judith & Dick Crater, Teresa Edenholm, Cia Ai Eng, Kikki Ghezzi, Ariana Hellerman, Young June Kim, Arnaldo J. López, Wynn Salisch, Eduardo Toscani, Tiffany Vega, Maya Westcott, Anonymous (6), Advocates: Carlos Armesto, Jess Applebaum, John Backe, Lucrecia Briceno, Genevieve Dreyfus, Berioska Ipinza, Kathy Kowalski, Thomas Long, Maude Mitchell, A. Rey Pamatmat, Jelena Radovic, Cara Scarmack, Joan & Shawn Sheehan, Patrick Wang (in memory of), Mo Zhou, Anonymous (2), Agents: Jason Chan, Sam Chanse, Gladys Chen, Dennis Chin, Dustin Chinn, Naveen Choudhury, Ariel Estrada, Pietro A. Gonzalez, Rosalind Grush, Lilian Haney, Kerry Huang, Winnie Huang, Rimma Kats, Soomi Kim, Peter Kuo, David Mendizabal, Don Nguyen, Angela Reed, Katy Rubin, Fernando Saucedo Lastra, Monica Snellings, Belle Yeh, Cate Yu, Anonymous (3), Movers: Raquel Almazan, David Conison, Amanda Feldman, Mrinalini Kamath, Peter Kim, Geraldo Lopes, Tina Mitchell, Scott Nogi, Eugene Oh, Jiehae Park, Hector Pascual, Jocelyn Prince, Coco M Schneider, Ryan Shen, Nandita Shenoy, Ari Tabei, Giovania Tiarachristie, Alice Yorke, Anonymous (2), Foundations: Arvon Foundation (London), Foundation for Contemporary Arts Emergency Grant (2015, 2018), GK Foundation (Seoul), Nancy Quinn Fund, a program of the Alliance of Resident Theatres/New York (2018), Princess Grace Foundation, Special Projects grant, via Theater C, Salesforce.org, Theatre Communications Group, Global Connections–On the Road Program, We Oppose Violence Everywhere Now (WOVEN), Public Support: NYSCA-A.R.T./New York Creative Opportunity Fund, A Statewide Theatre Regrant Program (2017), Fellowships: 2017 Creative Mellon Fellowship, 2015-2017 The Field Leadership Fund Fellowship, 2014 Target Margin Theater’s Institute for Theater-Making Fellow, 2004 Edward Albee Fellowship, Awards: 2010 UNESCO Aschberg-Laureate.
